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Zen and the Art of Carrying Mulch

11/2/2015

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The Title is Empty

10/26/2015

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Filmed in Far North Queensland, 2015
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Practicing the Mystic Arts

10/2/2015

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Mystic Arts: The practical synthesis of Art, Embodiment, Meditation and Narrative Medicine.

Mediums and Practices:
​

Visual
Ritual
Movement
Dance
Music

Writing
Contemplation
Meditation
Consciousness


Medicine for the future

The performance and demonstration of experience through arts is the sharing of the human story. Art plays many roles in culture. It tells a story, it heals and it translates experience. The artistic practice changes the consciousness of the artist and the witness, it moves us and empowers us.

​It is part of the relational infrastructure of the community. In this way art is communication. I am not speaking of art for commercial purposes, I am speaking of art as a practice of living authentically. In this way art is therapy, medicine for future.

The subject matter

There has always been a certain propensity among some people to ask the big questions. The uncertainty of the dark recesses of the emotional and mental realms...the missing patches in our knowledge...have and always will be essential elements of experience. For without that wild dimension of the unknown, into what space would we grow and evolve? It is these edges of consciousness that are the context that the Mystic Arts engage with.

Unity in diversity

As with any endeavour, it is prudent to have a motivation for action (or non-action) that is based on clear intentions; the same goes for the Mystic Arts. Each practitioner will have a personalised or specific approach to their subject matter and method; yet it is clear that they will share a common orientation.

It's not what we think it is

It is easy enough to say that Mysticism is a religious or 'spiritual' attitude towards the unknown in reality. What is more difficult is engaging with discourse on the practices of Mysticism; that are the Mystic Arts. The main barriers, incidentally, to both the discussion around Mysticism, as well as the practice, are to do with the conceptual and symbolic nature of what we call 'understanding'. It is one thing to understand knowledge, it is another to understand experience.

The practice of Mystic Arts is a practice of experiences, in terms of altering the perspective and quality of consciousness of experience, as well as altering the experience itself. Getting stuck on the symbolic or conceptual hierarchies of the mind can lead to missing the glory and gift that is a direct relationship to experience.

The essentials of practice

Contemplation, then, is the main port of call for the practitioner; the practice of contemplation is the act of observing closely and paying attention. Further, the object of contemplation changes with attention; this is to say that the experience of the object changes.

So the mystic arts are practices of both consideration and direction; of listening and expressing; of stillness and movement. Essentially, the way in which we practice contemplation directly affects our experience. This especially true of creative contemplation in visual art, music, dance and storytelling.

The storytelling of art translates the experience of the artist purely and effectively through the medium; demonstrating the mastery of these two foundational halves of the Mystic Arts:

​Choice and Surrender...Gentleness and Power, Strength and Softness, Active and Passive.

The harmonic of cultivated balance is the product of diligent practice.
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This is the truth hidden on the path of liberation.
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Photos: Pakololo - Daintree Valley Queensland 2015
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The Principles of Practice and the Practice of Principles

4/25/2015

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Reflections on meditation

1. Change happens in the present experience.

If we want to transform, we must first honor that which we intend to transform. We must know what we are dealing with. We must listen very carefully with our attention to what is presenting in our awareness.

2. The known is remembered, and the unknown is relative to the known.

Familiar territory is acknowledged and identified as past edges of awareness. Room for new material of contemplation is made alongside the established territory. The new experience presents as difference.

3. The will focuses the attention.

The focus of attention is directed by agency. The will is strengthened through use. Attention is strengthened through willpower.

4. The will is orientated by priority.

Options are available for awareness. Choosing a priority for the will prioritizes choice. Choice is the action of willpower. The surrender of choice is a peaceful choice. The known and the unknown are options to prioritize.

5. The priority is peace. 

Acceptance is the practice of peace. The peaceful relationship with the subject of the attention is the chosen priority. The choice is made to practice peaceful awareness. The willpower is peaceful. The goal is peace. The process is peace.

6. Peace is known.

Peace is known. The unknown presents to the awareness, and is accepted peacefully. Peace grows in accordance with the prioritization of peace. Peace begets pleasure, but must begin with acceptance of the unknown that is not yet at peace.

7. The way is remembered.

The way of peace is remembered and becomes effortless. The surrender of choice is the choice to follow the way that has become familiar. Peace is the way. Peace unfolds before the practitioner.

8. The way is shown.

Teaching the way of peace is knowing peace. Therefore, teaching is practice. The process is peaceful. Practice is being. Practicing peace is being peace. The teacher becomes the way. The student becomes the way.



The teacher and the student share the way of peace.



Michael Ellis
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Special Sticks

4/15/2015

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